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Daemon I. Digital Video. Theodoros Giannakis & Petros Moris. 2016
Daemon I. Digital Video. Theodoros Giannakis & Petros Moris. 2016
Daemon I. Digital Video. Theodoros Giannakis & Petros Moris. 2016
Daemon II. Digital Video. Theodoros Giannakis & Petros Moris. 2016
Daemon II. Digital Video. Theodoros Giannakis & Petros Moris. 2016
Daemon III. Digital Video. Theodoros Giannakis & Petros Moris. 2016
Daemon III. Digital Video. Theodoros Giannakis & Petros Moris. 2016
Daemon III. Digital Video. Theodoros Giannakis & Petros Moris. 2016
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More Common Mirrored Wild Flowers. ePub. artist book. 2016
ePub Read online
ePub-v1 Read Online
*** eng soon***
“Oιδιπόδειο σχήμα
Οφείλω ωστόσο, σύμφωνα με το κλασικό οιδιπόδειο σύμπλεγμα, να αγωνιστώ ενάντια στους απογόνους μου, διότι δεν πιστεύω ότι η φιλοσοφία της τέχνης θα έπρεπε να υποχωρήσει μπροστά σε αυτό του οποίου υποτίθεται ότι είμαι γεννήτορας. Μια μεγάλη συσσώρευση αντικειμένων εμφανίζεται οπτικά από το Αρχιπέλαγος. Λαμβάνοντας υπόψη το γεγονός ότι οι λεπτομέρειες δεν ελέγχονται περαιτέρω, ούτε μπορώ να περιγράψω κάθε σύνολο πραγμάτων, το ίδιο το νέφος της πληροφορίας είναι αυτό που μέσα του σχηματίζεται η φυσιογνωμία της εποχής μας. Μέσα σε αυτό το Οιδιπόδειο σχήμα ο ίδιος ο όγκος δεδομένων μας αποκαλύπτει την μορφή του. ”
“Oedipus shape
I must, however, according to the classic Oedipus complex, to fight against my descendants, because I do not believe that the philosophy of art should collapse in front to what I supposed to be a genitor (generator). A large accumulation of objects appears visually from the Archipelago. Considering the fact that the details are not further controlled, nor can I describe every sum total of things, the very cloud of information is what in itself forms the physiognomy of our time. Within this Oedipus shape the volume of data itself reveals its form.
More Common Mirrored WF. Epub. artist book. Screenshot. 2016
More Common Mirrored WF. Epub. artist book. Screenshot. Primitivism Mirage Alpha. 2016
More Common Mirrored WF. Epub. artist book. Screenshot. Inert inner membranes. 2016
More Common Mirrored Wild Flowers. Epub. artist book. Screenshot. Holy Horror. 2016
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Nightly build α, relief. lightweight concrete, cast aluminium. 2015.
Nightly build β. relief. lightweight concrete, cast aluminium. 2015 Nightly build γ. relief. lightweight concrete, cast aluminium. 2015
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Nightly Build Alpha. relief, lightweight concrete, cast aluminum, plastic. 2014.
Nightly Build 26.3.353 kk. 3d Digital Print. plastic. metalic paint. cast aluminum. 2014.
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The Rape of Europa a.k.a Small Erotic Beta 26.3.354aa. cast aluminium, plywood, acrylic paint, vinyl. 2014 The Rape of Europa a.k.a Small Erotic PreAlpha 30.5.354aa. cast aluminium, canvas, acrylic paint, azurite,ink. 2014 The Rape of Europa a.k.a Small Erotic. a tame White Bull. PreAlpha 30.5.354aa. cast aluminium, canvas, acrylic paint, azurite,ink. 2014
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Heritage, Cocktail, National Museum of Contemporary Art, Athens. 2013 A cocktail reception of the drink Heritage created by Theodoros Giannakis and book launch of Petros Moris’ ebook Commons: Portfolio
Heritage, cocktail, gin, almond milk, simple syrup, rose water, lemon, fennel, National Museum of Contemporary Art, Athens. 2013
Heritage Cocktail , National Museum of Contemporary Art, Athens. 2013
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ThunderFlow Heritage. Digital Video. Real time Data. Game Engine. Still Image. 2013
Thunderflow Heritage, crystal N&T,Natural&Technical. quartz crystal, cast aluminium, lead and silver, black satin ceramic 3d printed. 2013
ThunderFlow Heritage. Digital Video. Installation View. National Museum of Contemporary Art. Athens. 2013
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]]>“I am the place that something has occurred”
Savage Night “I am the place that something has occurred” Real-time 3D interaction
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The Godmakers PreAlpha aka, Cabinet β. Repainted Poster, Seeds,Crystal Quartz, Bronze letter Ψ.Psi, seeds. mechanic parts. 2011
The Godmakers PreAlpha aka. Cabinet β : Computer Screensaver Text to Speech. Crystal Quartz. Bronze letter Ψ.Psi. seeds. mechanic parts. Cover reproduction of The Godmakers sci-fi novel, Frank Herbert. 2011
The Godmakers PreAlpha aka Cabinet β
*** text to speech***
You must understand that peace is an internal matter. It has to be a self-discipline for an individual or for an entire civilization. It must come from within. If you set up an outside power to enforce peace, this outside power will grow stronger and stronger. It has no alternative. The inevitable outcome will be an explosion, cataclysmic and chaotic. That is the way of our universe. When you create paired opposites, one will overwhelm the other unless they are in delicate balance.
— The writings of DIANA BULLONE
To become a god, a living creature must transcend the physical. The three steps of this transcendent path are known. First, he must come upon the awareness of secret aggression. Second, he must come upon the discernment of purpose within the animal shape. Third, he must experience death. When this is done, the nascent god must find his own rebirth in a unique ordeal by which he discovers the one who summoned him.
— ‘The Making of a God,’ The Amel Handbook
excerpts from the science fiction novel The Godmakers by Frank Herbert
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RowFlow – FiniteBeing, Digital Video, Still Image, Real Time Data, Game Engine. 2011.
RowFlow – FiniteBeing, installation view, real time 3D HD projection, mirrors. 2011.
RowFlow – FiniteBeing, installation view, real time 3D, HD projection, mirrors. 2011.
RowFlow – FiniteBeing, installation view, real time 3D, HD projection, mirrors. 2011.
RowFlow – FiniteBeing, installation view, HD projection, mirrors. 2011.
RowFlow – FiniteBeing, installation view, HD projection, mirrors. 2011.
RowFlow – FiniteBeing, installation view, HD projection, mirrors. 2011.
RowFlow – FiniteBeing, installation view, HD projection, mirrors. 2011.
***eng soon***
RowFlow – FiniteBeing
Αφήστε με να σας μιλήσω για τον κήπο και για την όχθη που δεν φαίνεται. Να σας διηγηθώ για το πώς έγινα μάρτυρας μέσο της αναμονής μου στεκούμενος απέναντι του. Κάθε δύναμη, όσο υπέρτατη και να είναι, ολοκληρωτική, πανταχού παρών, δημοκρατική, αμφίλογος, αόριστη, ουδέτερη, στο τέλος πρέπει να προσεδαφιστεί στο πραγματικό έδαφος του κήπου και να αφήσει σημάδια τα οποία είναι δύσκολα να εξαλειφθούν. Αλλά προκειμένου να πλαισιώσουμε κριτικά την μαρτυρία μας αλλά και τον ίδιο τον “κήπο” θα πρέπει ίσως να προτείνουμε μια ριζική υποστασιοποίηση. Αυτό θα σήμαινε την μεταμόρφωση του σε ένα πεπερασμένο είναι, ανάμεσα σε άλλα πεπερασμένα είναι, και όχι πάντα να βλέπουμε τον κήπο και τα παράγωγα του σαν κάτι άυλο και αόρατο, χωρίς μια φόρμα, μπορούμε να το ανιχνεύσουμε και να το αλλάξουμε. Έτσι, η Αφροδίτη γεννήθηκε από την θάλασσα με αυτό το μικρό πυρήνα αλμυρό μέλι μέσα της, που μόνο το χάδι μπορούσε να φέρει έξω από τις κρυφές εσοχές του σώματός της. Ροές από πληροφορίες τρέχουν μέσα στην βραχυπρόθεσμη χαώδης αρχιτεκτονική του. Το πρώτο όραμα μου για την γη καλύπτονταν από ρευστές μάζες. Είμαι από την φυλή των ανδρών και γυναικών που βλέπει όλα τα πράγματα μέσα από αυτή την αυλαία των ηλεκτρικών και μαγνητικών ρευστών, και τα μάτια μου είναι το χρώμα της ροής. Η φυσιογνωμία της εποχής μας, είναι θαμπή και κρυστάλλινη, Γιατί η φυσιογνωμία είναι πάνω από όλα καθρέφτισμα και είναι λάθος να νομίζουμε πως η ιδέα δεν έχει χρώμα.
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The Godmakers PreAlpha Aka, Cabinet α, Installation view. cabinet. 2010
The Godmakers PreAlpha Aka, Cabinet α, In Search of Lost Time, mechanical part. Polished Nickel Metal. 2010
The Godmakers PreAlpha Aka, Cabinet α, ψ Psi. Cast Bronze Letters. 2010
The Godmakers PreAlpha Aka, Cabinet α, Narcissus Arrays. Flower seeds. 2010
The Godmakers PreAlpha Aka, Cabinet α, Crystal N(natural) pre-alpha .Quartz crystal. 2010
The Godmakers PreAlpha Aka. Screensaver
The Godmakers PreAlpha Aka. Screensaver
The Godmakers PreAlpha Aka. Screensaver
The Godmakers PreAlpha Aka. Screensaver
The Godmakers PreAlpha Aka. Screensaver
The Godmakers PreAlpha Aka. Screensaver
The Godmakers PreAlpha Aka. Screensaver
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Dild Wild. Image still of realtime projection .2009.
Dild Wild, Timaeus. Program screencapture Print. 2009.
Dild Wild, Timaeus. Print on canvas. Swiss Institute, Milan. 2010.
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Beauties. Video Still. 3d HD Video. 2009.
Partial After Sense II, Beauties aka Pillar. Sculpture Installation. Projection. Pc. Metallic column. 2009.
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]]>The contemporary is the Partial After-Sense of the gaze. It is the process in which the gaze together with the functions of the brain and the eyes tries to complement what is missing, what is not clear and what is difficult to understand or see. The contemporary is he who firmly holds his gaze on his own time so as to perceive not its light, but rather its darkness. A sensation of aesthetics and ethics in a part of the contemporary that maintains its existence even after the removed sense.
***
Partial After Sense, Perceive its darkness. Print light on canva. 2009
Partial After Sense, Beauties. Video Still. 3d HD Video. 2009.
…………………………
Let no one say,and
say it to your shame
that all was beauty
here, until you came.*
…………………………..
Let no one say. Interactive poem, realtime projection. 2009.
Partial After Sense, was here (fuit hic). Oil on oak panel of 3 vertical boards. replica preparation of arnolfini portrait. 2009.
Partial After Sense, was here (fuit hic). Oil on oak panel of 3 vertical boards. replica preparation of arnolfini portrait. 2009.
Partial After Sense, There’s Only Silence. Digital image tracking, Video Still. HD Video. 2009.
Partial After Sense, Three Frogs. Video Still. 3d HD Video. 2009.
Partial After Sense, Elements. Video Still. 3d HD Video. 2009.
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